Syncitol: fast relief from manual multicam sync in Premiere Pro.
Point it at a multicam sequence — separate cameras, audio recorders, whatever — and it rebuilds real recording-time sync automatically: reads each clip's real record-start time (embedded metadata, falling back to file dates), lays everything out on a new timeline so the gaps match real clock time, then fine-aligns the audio by waveform. One click ("⚡ Auto Sync") runs the whole pipeline. Free, and it's yours to keep.
If Syncitol saves you a re-sync session, consider tipping on Ko-fi — it's genuinely appreciated.
Syncitol ships as two separate plugins, built for different Premiere generations:
uxp/ — UXP plugin |
cep/ — CEP extension |
|
|---|---|---|
| Premiere Pro | 26.0+ | 24, 25, 26+ |
| OS | Windows, macOS | Windows or macOS |
| ffmpeg | Bundled — no install needed | System install needed (Fine Tune Audio only) |
| Install | Download .ccx, double-click |
Windows installer .exe, or ZXP via extension manager |
- On Windows or macOS with Premiere 26+: use the UXP version — simpler, self-contained, and it's where Adobe's extensibility platform is headed.
- On an older Premiere (24/25): use the CEP version.
Adobe is moving Premiere's plugin platform from CEP to UXP. UXP hybrid plugins (the kind Syncitol needs for its bundled FFmpeg decoder) require Premiere 26+, while CEP extensions work back to Premiere 24. UXP is where Adobe's platform is headed; CEP covers older installs. Both are maintained and kept at the same version.
Grab the latest release for your platform from
Releases — each release
(tagged v*) bundles all artifacts: the UXP .ccx, CEP Windows installer
.exe, and CEP .zxp.
See uxp/README.md or cep/README.md for
exact install steps.
MIT for Syncitol's own code. Bundled third-party components (IBM
Plex fonts, FFmpeg) keep their own licenses — see LICENSE for
details.